Monday, September 24, 2012

Review of "Wheels of Impermanence" by Heaven’s Cry

You are seeing this because they are a gold level sponsor
Top 3 reasons why your band needs professional promo content vs amateur content
-Image: Your band will look professional and be taken seriously
-Show Opportunity: The chance to play bigger shows with bigger bands
-Exposure: Reaching new fans and building on the ones you have
The biggest names in metal have professional content. If your serious about your music career, Ax Media Studios will take you to the next level.
We offer a wide range of services from music videos, live concert, photography, studio recordings, playthroughs, cd and logo design and much more! Visit our site for more information on how we can take YOUR band to the next level!
------------------------------------------------------------------------------------------
Buy This Album
(link available tomorrow)
Facebook

1. Empire’s Doll
2. Realigning
3. The Hollow
4. Wheels of Impermanence
5. The Healing
6. Compass
7. The Mad Machine
8. Consequence
9. Catalyse
10. A Glimpse of Hope

“Heaven’s Cry was formed in the beginning of the 90′s as a progressive rock band with a metal tangent. From a French part of Canada in the city of Montreal, Pierre St-Jean(vocals, guitars) and Sylvain Auclair(vocals, bass) decided to join their efforts, building a dual voice oriented band. Both had played clubs in several bands before HC and had various experiences in songwriting. The time had come to get on track with a serious project that would reflect their aspirations in a proper way. The band has been performing live for a while in front of considerable crowds, opening for bands like Marillion and Saga. In 1995, the band signed with a Canadian label (Hypnotic Records) and recorded their first album called “Food For Thought Substitute” in 1996. The album was released in Japan the same year and earned 13th metal album of the year in the reputed “Burrn! Magazine”. It was released in Europe and Canada the following year. In 1997, most important European magazines finally got their hands on the album. Reviews were more than flattering for HC, voted album of the month in Germany, Italy, Holland, Czech Republic and many more. After some changes in the band line-up, René Lacharité(drums) and Eric Jarrin(guitar) joined the band in late 2000. “Primal Power Addiction” was released in Europe in October 2002 on the reputed Dutch label, DVS Records. The feedback has been enormous. They travelled to Europe to be part of the “ProgPower Festival” in The Netherlands followed by a tour supporting “Threshold” in Belgium, Germany and Denmark. The album was released in North America in March 2003 and the band performed in Canada in support for bands like Anvil, Planet X, Arena and Nightwish throughout 2004. After a seven-year hiatus, the band decided it was time to reform to offer brand new music to their loyal fans that kept on supporting them while the members were busy crafting their art under other musical projects. The band performed for the occasion at the legendary Montreal club, Les Foufounes Electriques, on September 18th 2011 as support act for Swedish band, Katatonia. The re-formed band includes Pierre St-Jean, Sylvain Auclair, Eric Jarrin and René Lacharité and is scheduled to release their third album in the fall of 2012 through Prosthetic Records. The future will bring much more for Heaven’s Cry, as they could not be more present with their lyrics and music, through these troubled times of change.”

To open off the album we get a mellow introduction with atmospheric keys and lead guitar with “Empire’s Doll.” The vocals are clean but they sound great. They have really progressive feel to them which is a nice change from the stuff I’ve listened to as of late. The guitars are really catchy on “Realigning” and the vocals are nicely done. The organ half way through added to the epic sound. “The Hollow” has incredible lead guitar and piano. This track had its heavy and mellow parts which mixed well. The solo three quarters of the way was a nice touch.

The first bit of the title track, “Wheels of Impermanence,” with the keys and guitar was very amazing. It’s a very mellow track with perfect vocals as well as guitars. The heavy bits in “The Healing” are really great sounding and the mellow bits have a nice groove and atmospheric feel to them. Accompanying backing vocals just added to the already impressive vocals. There is a really great bit about three quarters the way through. The bass sticks out in “Compass” song and sounds really awesome especially at the points the piano played along. The solo was really long and sounded cool playing along with the vocals.

“The Mad Machine” is another really great track for bass. This track has a groove incomparable to anything I’ve heard in a while. The lead was great and keyboard solo half way through was awesome, with its darting between left and right head phones. The guitar solo after was as well. The progressiveness really shine through on “Consequence.” I really like the vocals, switching between clean and a little bit of a scream kept it interesting. The saxophone and guitar solos were really good. I have no idea where the saxophone was hiding for seven tracks but please bring more!

Next is “Catalyse,” a very mellow track but the guitars and bass stay really amazing. The vocals and everything about this track is very relaxing. It is so relaxing I left reviewing mode and chilled out for half of it. The last track is “A Glimpse of Hope,” with a mix between heavy and mellow. It was a really nice way to end and was a really good instrumental.

This album was one of the best I have heard in a while. The guitars and keyboard were always great and the vocals were perfect. My favourite tracks were “Compass,” “The Mad Machine”, and “Consequence.” This is a must buy for progressive listeners for sure!

Thursday, September 20, 2012

Review of "Lights Out by Posthum

You are seeing this because they are a gold level sponsor
Top 3 reasons why your band needs professional promo content vs amateur content
-Image: Your band will look professional and be taken seriously
-Show Opportunity: The chance to play bigger shows with bigger bands
-Exposure: Reaching new fans and building on the ones you have
The biggest names in metal have professional content. If your serious about your music career, Ax Media Studios will take you to the next level.
We offer a wide range of services from music videos, live concert, photography, studio recordings, playthroughs, cd and logo design and much more! Visit our site for more information on how we can take YOUR band to the next level!
------------------------------------------------------------------------------------------
Buy this album
Facebook

1. Leave It All To Burn
2. Scarecrow
3. Red
4. Absence
5. Resiliant
6. Down On Blood
7. Summoned At Night
8. Afterglow
9. Lights Out

The sound of Posthum is the sound of dark, Norwegian forests and endless snow-covered plains. It is melancholic, atmospheric and hypnotizing Norwegian Black Metal. They released their debut album “Posthum” in 2009 receiving great reviews from the underground press, and triggering a strong demand for a swift sequel. The eagerly anticipated second album will be named “Lights Out” and released by Indie Recordings September 21st this year. The band was formed in 2004 in a small town in the east of Norway, and until 2009 Posthum kept fairly isolated from other musical communities and bands.  This resulted in their music not being particularly influenced by the trends in the scene, and despite their obvious roots in Norwegian Black Metal Posthum sounds new and fresh. Their debut record ensured them some well-deserved attention that lead to a European Tour with legendary Satyricon and Shining (SE) the same year. In fact, Posthum’s first concert ever was supporting Satyricon and Shining in front of a completely sold-out venue with 800 fans in Antwerp, Belgium. Not a bad way to start their career.  Since then Posthum has played at “Under The Black Sun” Festival in Germany, done several shows in Norway and a toured Europe again with Nargaroth and Chaos Invocation. Since their debut the band has earned a reputation for being a rock solid live band with emphasis on good songs rather than image extravagance. In August 2011 Posthum buried themselves into their rehearsal space “Huset” yet again with all the necessary recording equipment. They didn’t exit until a month later with a fully recorded album. “Lights Out” was recorded and mixed by Morten Opsahl Thomassen and Posthum, while master was done by Peter in De Betou atTailor Maid. “Lights Out” is a well thought through album and the band has been polishing riffs, transitions and song structure until they were 100% satisfied. It sounds dark and gloomy, but still varied with unpredictable elements without breaking the persistent dark mood on the album. “Lights Out” can be described as an atmospheric and gloomy album with a melancholic undertone, even though some of the songs are more aggressive and with progressive elements. Lyrically Posthum draws inspiration from nature, dreams and nightmares, the material and commercial world, and the human nature; fear, inner turmoil, liberation, kindness and vulnerability. The aggression and depression in the music is highlighted in the lyrics. Regardless Phostum does not view themselves as a depressive band. The name “Posthum“ means “after exitus”, which especially refers to compositions and tributes to dead artists. For the band “Posthum” is a tribute and reminder to all life that has existed before them.The album cover is created by the very talented artist Kjersti Mortensen based on Posthum’s music, dreams and sleep paralysis. Posthum is finally ready to release their second album of hypnotizing black metal. “Lights Out” to be released on Indie Recordings September 21st 2012.

To start the album off we have “Untame.” The guitars in this track are great and the part with the voices over top makes it sound really epic. This song is really gloomy with the guitar’s feel to it and the way the riffs are laid out. Taking the way the band feels so far along with “Leave It All To Burn,” I am under the impression that they may take influence from some rock but they blend it well with their black metal roots. This is just my own understanding but I really like it, it’s a different style of black metal then I’m used to. “Scarecrow,” is really catchy and a little upbeat feeling. The vocals are really great on this track. It’s slow but is really great and brings emotions to the feel of the track which is amazing.

The next track “Red” is the first song, to me that feels really blackened. The guitars are more grim as well as the drums, especially half way through with the really awesome patterns. After that black metal piece, they go back to the style prior with “Absence.” They continue with the more catchy, rock, upbeat guitar on this track. The guitars in “Resiliant” are really brutal but also catchy, and the vocals are really grim as well.

“Down On Blood” is probably one of my favourites on this album. It is really chilling, with the faster riffs and the slower bits to keep you on your toes. The next track, “Summoned At Night,” is straight up black metal with the blast beats and patterns in the drumming. It also included some goose bump inducing riffs. Following that is a really eerie keyboard instrumental with “Afterglow.” It was a nice change from the guitar and felt atmospheric and gave me shivers. To end the album, “Lights Out” gives us a nice flowing track with catchy riffs as well as a few piano bits. It’s a mellow song but it brought a nice end to the album.

This album is quiet different when you think of what your usual Norwegian black metal band like Darkthrone, Burzum, and Mayhem usually sound like. Posthum brings a very mellow feel into the mix of what would otherwise be a very grim and heavy style. It was a very interesting sound and although some parts fell a little too light for black metal, I enjoyed this album. I definitely recommend this album to any black metal followers. Also I believe Posthum may be a way to show off Norwegian black metal without people yelling “Satanist!” at you within the first minute of a song.


Wednesday, September 19, 2012

Spotlight: In The Grove (Jesse Sage, Zach Stein, Alli Trippy)

You are seeing this because they are a gold level sponsor
Top 3 reasons why your band needs professional promo content vs amateur content
-Image: Your band will look professional and be taken seriously
-Show Opportunity: The chance to play bigger shows with bigger bands
-Exposure: Reaching new fans and building on the ones you have
The biggest names in metal have professional content. If your serious about your music career, Ax Media Studios will take you to the next level.
We offer a wide range of services from music videos, live concert, photography, studio recordings, playthroughs, cd and logo design and much more! Visit our site for more information on how we can take YOUR band to the next level!
------------------------------------------------------------------------------------------

“In the deep and winding trails of the Florida orange groves lives a young, mysterious woman. To her neighbors, she is a stranger, known only as the girl who lives with dogs. Under the shade of the citrus trees, Missy Reese spends every waking moment with her beloved canines. Her intense and unusual attachment to the dogs has left her an outcast of the human world, but when a local farmer named Avery Dean reaches out to her, Missy's life begins to change. Still, as much as Missy longs for human interaction, she cannot escape the wild animal inside her...

IN THE GROVE was created by a group of close friends who have been working together for most of their lives. For four days, a group of 15 people worked diligently to complete this film. Every morning the cast and crew rose before sunrise hoping for shots of dew settling on the grass, and every evening they worked well into the night to capture the eerie landscape of moonlit orange trees. This project was completed because the crew was willing to take risks, to make sacrifices, and to pour their hearts into bringing this story to life.”


Jesse Sage as Missy Reese (www.youtube.com/jessenluca)
Zach Stein as Avery Dean
Alli Trippy as Sarah Dean (www.youtube.com/alli)
Datev Gallagher - Writer/Director/Editor (www.youtube.com/ladiedottie)
Hannah Logan - Producer
James Bixby – Cinematographer (www.youtube.com/bixbyfilms)
Charles Trippy - Executive Producer (www.youtube.com/charlestrippy)
Justin Speed - Music/ Sound Editor (www.youtube.com/princeyeti - www.soundcloud.com/justinspeed)


I have been waiting for this for quite a while and I figured since it was just uploaded to YouTube I would review it. Being a short film, I never really review these types but I think this deserve as much publicity as it can get. This is director Datev Gallagher’s first released film, I may be wrong, and it is a very amazing way to kick off her career in the industry. She directed and edited it, but she also wrote it as well. I really like the way it was written and it leaves a lot to the imagination as not much is told about the main character. James Bixby did a very impressive job as cinematographer and it made this short film even more perfect. Justin Speed did the music for this and I think he did superb creating his own original pieces for this film. I also want to make note of the song at the end as Alli Trippy sang it very beautifully. She also played a great somewhat rude townsperson which was quite surprising from what she is usually like. Zach Stein was really good as well playing her kinder brother. In the main role we have Jesse Sage who definitely completes this movie as a whole. I really recommend seeing this movie, it is very well done in all aspects and it is only half an hour so it is not time consuming at all. I have embedded it down below so you can view it here for easier access.