Wednesday, October 10, 2012

Interview with Charlie Leduc and Jay Donnelly of Placentophagia


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For those who don’t know who you are, please introduce yourself. Why the name Placentophagia?
Why the fuck not? The whole process of placentophagy is quite disturbing when you really think of it. For us, the definition was gnarly, and nobody else had that name. We wanted to create a straight-forward death metal band, with a grotesque image. Placentophagia seemed appropriate. It took Jay and I about four text messages to decide on a name. (Charlie)

How and when did the band start?
The band started in the summer of 2010 by mistake. Jay came over to my house to “jam” – vocals and guitar. We quickly found out that we didn’t know any of the same songs. So, here we were, in my basement, figuring what the fuck to jam to and that’s how our single Flesh Fetish came to be. I wrote the song in the one continuous motion without re-working any of the parts. I just kept playing it over and over and Jay wrote lyrics to it.

We had fun doing that and Jay asked me if I had time or interest to start a second band (since I was full-time in Deformatory). And that’s how the fuck it started. (Charlie)

Your lyrics and over all style is that of a grotesque appearance, what is the basis of your lyrical content? What do you do to get into the mindset to write songs?
The band name definitely has a lot to do with our song titles and lyrical content, local murders and fucked up shit we come across on the road, the paper or as a group. What I put on paper are thoughts, images, and catchy lines I think of on a regular basis. Way too many horror movies. (Jay)


If you guys were to describe yourself in three words, what would they be?
Jinglejam Grape Smack (Charlie)
What Fucking Line?  (Jay)

What musicians or influences does the band take from?
Michael Jackson (skip the music, go right to the child molestation...)
Guns N’ Roses
Kanye West, Akon, Fiddy
John Denver, Styx and Grand Funk Railroad
Jeffery Dahmer, John Wayne Gacy, Andrei Chikatilo
The news
Cannibal Corpse, Neuraxis, Dying Fetus, and that band with the long hair
Catholic priests and their strange little proclivities
Bill Clinton’s cigar (Charlie)

I think we each bring something so different to this band that it makes for a great dead baby and rotting womb stew. (Jay)


There are a few sound clips you have used on your recordings. For those who don’t know, where and what are they from?
The intro to the album is a combination of sounds that I recorded myself. The big creaking, swinging gate was from a garbage bin located near my house. The footsteps were recorded at our rehearsal space, etc.
The sample off Flesh Fetish is actually the opening line from the movie Copycat with Sigourney Weaver. I changed the pitch of her voice to make her sound like a creepy transvestite.
And finally, the sample that we use at the end of Cadaver To The Unborn is from one of the most beautifully, romantic scenes from a tear-jerker called A Serbian Film. It’s commonly known as the baby-rape scene, or simply: NEWBORN PORN! (Charlie)

You play plenty songs live that are not on the “Feast on Thyself” debut album. Is there any chance of an upcoming second release or any other near future plans for the band?
Abso-fucking-lutely! We will definitely be releasing a brand new album within the next year. The newer songs are definitely where it’s at! The riffs and drum patterns are more complex and the lyrics will definitely be a little more diverse. Not to worry, grotesque is our game and we’ll make sure it stays that way! (Charlie)
  
What does Jay think about death metal being considered sexist or misogynist by some?
Who cares what she thinks! She’s a woman! (Charlie)

I expected it, but it’s not that way at all. (Jay) 


What is it like competing or playing in a male dominated genre?
Lots of eye candy, and future victims!!
Like I said, I expected that to matter, but it does not. I’d rather chill with the guys anyway. (Jay)
  
Have you ever come across a song idea or song name that was too extreme?
No! Actually, we try to find shit that is considered TOO extreme. We think it’s funny. (Charlie)

Song idea or name, not yet! Some fucking hilarious ones though. Shirt designs are another story (Jay)

Do you find you gain popularity because of your style or do you find it repulses people?
I don’t necessarily believe we are popular to begin with and I certainly think we limit our potential audience as a result of the repulsive nature of our content. That’s why we love people who come to our shows – we KNOW they’re fucked! (Charlie)

Just as Charlie said, it’s great when people get into and appreciate the fucked up things we do, say or post. (Jay)

Where have you performed?
Ottawa, Montreal, Sherbrooke, Oshawa, Toronto & Kitchener.


What are your favourite and least favourite venues?
Favorite venue: The Bro0otal Warehouse in Kitchener! That place was hilariously epic. I heard they shut it down after a shooting. Place was bomb. It had a fuckin’ boa constrictor, a mounted pig’s head and the most random assortment of couches...
It was a fun show with rad people in the most unique venue to date! (Charlie)

Least Favorite Venue: The one(s) we haven’t played yet! So far, we like all of the venues we have played at because the venues are nothing without the people inside of them. Sure, the soundguy could be a dirty douche-cunt, and you can’t hear yourself on stage, or there are no monitors, or the stage is so small you feel like your trapped in the womb – but, at the end of the night, it’s the crazy motherfuckers in the crowd that make or break the venue. So far, so good! (Charlie)

Do you have any upcoming shows?
We’re headlining Ontario’s First Death Fest on Friday October 12, 2012 in Toronto.
After that, we’re playing a show in our hometown of Ottawa with Internal Bleeding on November 1!

Do you have any funny stories about Placentophagia?
Every story about Placentophagia is funny. We’re a bunch of clowns.
There are too many to list right off the bat...
The most recent one was when we were driving back from a show in Oshawa. It was 3:00AM, and we were all absolutely convinced there was a UFO in the sky. For nearly an hour and a half, we drove looking out at this immensely bright light in the sky. I barely kept my eyes on the road. I have no fucking idea if I hit shit or was swerving. It didn’t matter. We were being tailed by a fucking UFO! Nigel was skeptical at first...but after all of our incessant ramblings, he, too, came to believe that inter-dimensional beings were specifically interested in us. It was a little insane. Finally, we Googled the fuck out of our suspicions and determined that it was the star, Sirius. What a bunch of burnouts!

Another time, Jay took a piss on some little girls face. That was pretty funny. (Charlie)

That poor girl!
When we released the EP I had covered myself in fake blood and I remember making a couple girls that were at that bar scream bloody murder, that was pretty great. (Jay)


What is your opinion on the current state of the metal community?
It’s what you make of it! If you want to sit back, complain and reminisce about how you think it used to be, then so be it. If you want to get involved, go balls deep and make the most out of it, you’ll probably see that you get out of it what you put into it.

One thing about today’s metal community, if you will, is that, with social media (ie., Facebook), it’s so broad and accessible. With that being said, it’s easy to lose yourself in the proverbial cum bucket. When you break it down though, the core of the metal essence still remains. You just have to sift through pages of useless memes to get to it! (Charlie)

What advice do you have for people who want to form their own bands?
We would also give this advice to a first-time rapist:
Don’t think so much about it! Gather your tools, go out, stalk the night, find your preferred cast, club them over the head, drag them back to your space and let nature take its marvellous course!

How do you like your placentas?
Raw, blood-soaked and fresh out of a cunt! (Charlie)

In a grilled cheese sandwich (Jay)

Are you an ass or tit man?
You have to be more specific as this question is tricky.
If the body is dead: Ass.
If the body is alive: ____
If the body is dead, and has decomposed to the point where both tit and ass is now one pile of putrid mush: Titass (Charlie)

Any beard growing tips?
Don’t FUCKING touch it! You’ll get a yeast infection and nobody will want to play with you. (Charlie)

Any last comments?
If it’s dead – we’ve already fucked it


If you haven't checked it out yet, I recommend buying their album "Feast on Thyself." It is a really great debut album and these guys deserve as much support as they can get. Down below is the single "Flesh Fetish" for your viewing pleasure. You can buy their album on iTunes or BigCartel, which also carries their shirts. I also reviewed this album so if you wanted to read that you can here.





Monday, October 8, 2012

Review of "Doomwave Volume 1" by Blood Sugar Summer

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1. Combat Barbie
2. Summer Anthem
3. Anakin Skywalker Syndrome
4. Dancing In Fields

Blood Sugar Summer are a Doomwave band formed in the summer of 2012 in Northumberland. Their lineup is comprised of Benjó James on vocals and Jack Bateman on guitars. 'Doomwave Vol. 1' is their first release.

The first track, “Combat Barbie,” flowed well the way everything was laid out and I also liked the ambient keyboard. I’m not too big of a fan of the auto tuned vocals, I’m sure it’d be better without although I guess it makes sense if being more on the industrial side. I especially enjoyed the guitars on the next track, “Summer Anthem.” It’s very catchy, the vocals are good, and it’s a really chilled out track. A very nerdy track follows with “Anakin Skywalker Syndrome” and lyrics to go with the topic. The guitars are quite doom influenced on this track the way they are done. The last track “Dancing In Fields” had a great flow, with the ambient keyboards and old school feeling guitars. It was definitely a great way to end this short but nice album.

This is a really great start for Blood Sugar Summer and they have something good going for sure. My only complaint is that the vocals didn’t feel very real with the auto tune and I’m curious as to how Benjó, their vocalist, would sound without it. I personally think he would sound great without it or at least a little lessened so you can actually hear the power of his voice. If you like industrialized metal than this is definitely something you should give a listen.

Review of "X" by The 69 Eyes

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1. Love Runs Away
2. Tonight
3. Black
4. If You Love Me The Morning After
5. Red
6. I Love The Darkness In You
7. Borderline
8. I'm Ready
9. I Know What You Did Last Summer
10. When A Love Comes To An End

"I just saw "The Dark Knight Rises" and realized that THE 69 EYES is like Batman: we always rise and return - our only mission being to save Gotham City and serve its people. Everybody else is gone, nobody does it better & someone's got to do it. So, sunglasses on and here we go again: the Helsinki Vampires are BACK!"
- Jyrki69

Some 22 years later after forming, in the world without THE RAMONES or TYPE O
NEGATIVE, THE 69 EYES release their 10th studio album. To celebrate their long existence, the band has decided to name the album as Roman tenth, "X". It also has ten songs. In the world where albums mattered, the 10th album of THE ROLLING STONES was "Exile on Main St." And indeed "X" is also a turning point for THE 69 EYES. It clearly starts something new. Once again it sounds completely fresh and ambitious. It's more melodic than its predecessor, Hollywood-made glam metallic "Back In Blood". It's also the most catchy and hooky goth 'n' roll you have ever heard - no wonder since the album's made under the supervision of the Swedish pop orientated production team called On The Verge. The team of Pat Phoenix and Joakim Övrenius has been co-writing with THE 69 EYES before; songs like "Never Say Die" and "Perfect Skin" have been written with them, but it was until now that the Helsinki Vampires felt it was the right time to move their coffins to Stockholm and record the entire album there.

"This is our "Made in Sweden" album. We've considered Stockholm as one of our home towns really for a long, so it was about the time! It was also the time to bring back the more melodic side of ours, so with On The Verge guys that was perfect too. Lyric wise I thought to get also more personal since I had the chance to exploit my classic "My Babe Left Me" situation, so that's where the real melancholy comes from this time," says the singer, Jyrki69. The 10th 69 EYES album was recorded in Stockholm and Helsinki during the spring of 2012. It was produced by Swedish team On The Verge and mixed by Stefan Boman (KENT, THE HELLACOPTERS, BACKYARD BABIES). It takes THE 69 EYES' goth 'n' roll sound back to their highlights decade ago of their albums like "Blessed Be" and "Paris Kills", yet rising the singer Jyrki's voice as the main statement of the record. The man in black is back. THE 69 EYES rise. Again.

Not being very familiar with The 69 Eyes I wasn’t sure what to expect. At first I wasn’t a fan of the vocals and it took me half the song for the vocals to grow on me, Jyrki’s vocals are great for this style. The first track, “Love Runs Away,” is a really heavy but catchy gothic style track. “Tonight,” the next track, is pretty mellow. Not much to really say about it, the vocals are really the main focus as it was stated in the information above. The other members really didn’t get much of a spotlight on this one. The intro build up to start off “Black” was pretty cool. The guitars on this were great and the bass line a little more was short but awesome. It was probably one of my favourites on this album.

“If You Love Me The Morning After” was really relaxing with the duo of keyboard and lead guitar. This is another great track for vocals, as well as another favourite. Bringing a great mix of soft guitar bits and heavier bits is the next track, “Red.’ Again the vocals really shine through the most, so there isn’t much else to say really. “I Love The Darkness In You” is most likely my favourite. I really like the leads and keyboard on it and it’s a very catchy track. Even the bass has some notable bits and it is finally a track that has equal notability between members. Jyrki’s vocals are the best on the album on this track.

I got a very southern vibe from the guitars on the next track, “Borderline.” Something about the southern and gothic combination is really enjoyable. There is also a great solo lead bit a little more than half way through. The intro of “I'm Ready” is a little weird. The track is really old school glam in its style. The solo is really great as well and I’m not sure who does the female vocals on this. “I Know What You Did Last Summer” bring mellow guitars, although they maintain their heavy feel. There isn’t much really to say about this track but that doesn’t mean it’s a bad track. Ending the album on a good note is “When A Love Comes To An End.” The guitars are nice and relaxing and the vocals follow suit. It was a nice mellow way to finish off the album.

Not knowing what to expect, on my first listen I really wasn’t a fan since I’m not fond of the genre. After only listening to the first minute, I stopped listening. Most likely because I wasn’t in the mood to review and I regret doing so. The second listen through Jyrki’s vocals grew on me and I enjoyed the album. I kind of wish the other members had more spotlight time, but it may just be this album that is like that. This is a great album if you enjoy gothic style heavy metal. I will definitely listen to this album, but I think I’ll have to be in the right mood to do so.